Gear Catalog

Professional 20x24 audio interface with ADAT expansion.

Reference studio monitor with neutral response.

8-voice analog poly based on the Sequential Prophet-600. Two VCOs per voice with saw/triangle/pulse waveforms. 24dB ladder filter with self-oscillation. Built-in 400-step sequencer. Filter CV input accepts 0-10V for external modulation.

Korg MonoPoly clone with 4 VCOs that can be played mono, unison, or paraphonically. Cross-modulation, sync, and arpeggiator create complex timbres. Keyboard tracking and velocity give modern playability to the classic architecture.

ARP Odyssey clone with three switchable filter revisions (white-face, black-face, orange-face). Duophonic mode with sample-and-hold, ring mod, and external audio processing. Full-size keys with velocity. CV/Gate I/O for modular integration.

Sequential Pro-One clone with 40-note sequencer and arpeggiator. Famous for snappy envelopes and aggressive filter. Full CV patch bay makes it Eurorack-friendly. Extensive mod routings including filter FM and poly-mod section.

Semi-modular mono synth with CEM3340 VCO and Moog-style ladder filter. Extensive 32-point patch bay for Eurorack integration. Built-in sequencer and arpeggiator. Budget-friendly entry to analog semi-modular synthesis.

Minimoog Model D clone with three VCOs, classic ladder filter, and mixer section. External audio input for processing. CV patch points on rear. Captures the fundamental Minimoog tone at a fraction of the original cost.

Dual Oberheim SEM clone with two independent synth voices. Each voice has 2 VCOs and 12dB multimode filter. Can be used as stereo processor via external inputs. Per-voice CV/Gate for modular integration. Layer or split operation.

DCO/VCF circuitry based on the Juno with extensive modulation matrix and built-in FX. Excels at soundtrack, dark electronica, and retro sounds—think Tangerine Dream, John Carpenter, Vangelis. Factory presets are weak but it rewards sound design. Fan noise is a common complaint but can be turned off.

16-voice OB-Xa clone with bi-timbral operation, poly aftertouch, and 'Atrophy' vintage settings. Factory patches are underwhelming—the synth rewards tweaking. The 'Creamy' atrophy setting is popular. Users praise immediate patch creation and dense analog sound at a fraction of OB-X8 price.

Roland VP-330 clone combining string synthesizer, human voice choir sounds, and 10-band vocoder. The ensemble section produces lush, animated string pads via bucket-brigade chorus. External vocoder input for processing voice/instruments through the filter bank.

ARP/Eminent Solina String Ensemble clone. Full polyphonic divide-down architecture produces lush, animated string textures via stereo ensemble chorus. Simple but effective—violin, viola, cello, contrabass, and trumpet presets. Excellent source for external effects processing.

Studio Electronics collaboration with Roland for the Boutique series. Three VCOs with Minimoog-style ladder filter in compact format. 16-step sequencer with motion recording. CV/Gate I/O for modular integration. True analog signal path despite small size.

Hybrid groovebox combining SuperNATURAL digital synth, true analog mono synth, and PCM drums. 4-track pattern sequencer with vocal FX vocoder. Entry-level but surprisingly capable for electronic music production and live performance.

Rack version of the JX-10/Super JX with 12 DCO voices and bi-timbral operation. Known for huge, evolving pads and the crossmod feature. Two independent 6-voice sections can be layered or split. Sought-after for its rich, warm sound that sits well in mixes.

Rack version of the Alpha Juno with the famous 'Hoover' bass patch (What The). Single DCO per voice but compensates with PWM and chorus. Compact 1U form factor. The Alpha Dial interface is limiting but the sound is distinctive and sits well in dance music.

7-voice analog poly from Estonian manufacturer with true CEM3340 VCOs and ladder filter. Known for its immediate, no-menu interface and raw analog character. Balanced outputs for professional integration. USB for patch management. Surprisingly deep for the price point.

6-voice desktop poly from GS Music with built-in analog chorus and digital delay. Clean, modern analog sound with balanced outputs. Compact form factor for desktop use. USB for patch management and MIDI. Good value for a true analog poly.

Compact 6-voice analog poly praised for its lush, warm, organic sound. Users say it sounds fatter than DeepMind without effects. UI is polarizing—shift-based workflow takes getting used to. USB power can cause ground loop issues (use ferrite bead cable). Onboard reverb is metallic; pairs well with external FX.

Duophonic/paraphonic semi-modular synth with extensive patch bay. Two oscillators with through-zero FM capability. Dual filters that can be configured in series or parallel. Built-in reverb with modulation. 19" rack mountable. Greek-made with attention to analog character.

TB-303 inspired bassline synth with MIDI-to-CV converter functionality. Can be used as a standalone synth or as a MIDI-CV interface for other gear. The filter has that squelchy acid character. External audio input for processing other signals through the filter.

French-made analog mono synth blending MS-20 and 303 characteristics. Built-in sequencer and arpeggiator. External audio input for filter processing. The resonant filter can self-oscillate for percussion/effects. Compact desktop form factor.

German-made TB-303 clone from the late 90s. True analog signal path with that acid squelch. MIDI controllable with accent and slide via velocity/CC. External VCF input allows processing other signals. Desktop form factor. Requires external MIDI sequencer.

Rare 1970s preset synth with the famous Traveler filter (joystick-controlled filter sweep). Limited but characterful—preset sounds include bass, strings, brass. The Traveler is the main attraction, allowing expressive real-time filter control. Collector's item.

Portable 3-voice paraphonic analog synth with sequencer and built-in delay. Simple loop synth architecture with voice mode, detune, and portamento. Ring mod and delay add depth. Sync I/O for chaining Volcas. Battery powered for portability.

Analog ribbon synth with drum machine based on MS-10/MS-20 circuits. Hackable—community mods add MIDI, CV/Gate, filter mods. Raw, aggressive sound. Sync I/O for integration. Discontinued but cult following. The LFO goes into audio rate for FM effects.

Classic electromechanical piano with tine/tone bar sound generation. The definitive electric piano sound—warm, bell-like tones that respond to touch dynamics. Requires preamp/DI for recording. Each tine can be individually voiced. Regular maintenance needed.

1980s home keyboard with analog drum sounds and lo-fi character. Simple PCM preset sounds but the analog rhythm section has genuine charm. External input with effects. Sought after for circuit bending and lo-fi sampling. Simple but fun for texture generation.

Hybrid digital/analog synth with SD (Spectrum Dynamics) synthesis and true analog VCF. Early consumer MIDI synth with surprising depth. 8-voice polyphonic with stereo chorus. The analog filter adds warmth to the digital oscillators. Underrated lo-fi treasure.

Compact drum machine with ACB (Analog Circuit Behavior) modeling of classic TR machines plus sample playback. USB audio interface functionality. 6 tracks with extensive sound design. Compact form factor with powerful sequencer. External inputs for processing.

Fully analog 17-drum-voice machine with 64-step sequencer. Individual outputs for every sound make it excellent for mixing and processing. Steiner-Parker filter on output. Polyrhythmic sequencer with swing and randomness. The analog character is raw and punchy.

Analog drum synth with sample layering, praised for its magic character—deep kicks, biting snares, airy hihats. The Elektron sequencer with p-locks is essential. Learning curve is steep but rewarding. Pads aren't ideal for finger drumming. MK2 has better pads and screen; both receive same firmware updates.

Compact hybrid drum machine with analog and PCM sounds. 6 analog elements (kick, snare, hats) plus 6 PCM elements. Audio input with sidechain compression. Battery powered for portability. 64-step sequencer with probability and swing. TRS-A MIDI for compact connections.

Desktop analog synth with 3 VCOs for paraphonic operation. Dual filters (OTA lowpass + state-variable multimode) can run in series or parallel. Extensive modulation with 2 LFOs and 2 envelopes. CV patch points for modular integration. Sequencer and arpeggiator built in.

Pioneer DJ / Dave Smith collaboration putting a Prophet-6 voice in desktop format. True analog VCOs and filter with digital effects (delay, reverb). 64-step sequencer. CV/Gate I/O with configurable voltage ranges. The P6 sound in compact form for half the price per voice.

10-band filter bank with vocoder capabilities. The vocoder is basic but the fixed filter bank with resonance and CV control is the star—great for spectral shifting and filter colors. Better as an integrated modular processor than standalone. No MIDI is a limitation. Now made in Taiwan.

1990s British digital multi-effects unit with 4 independent processors. Reverb, delay, chorus, flanger, and pitch shift algorithms. MIDI control for program changes. Characteristic dark, slightly lo-fi digital sound that's come back into fashion. Good for adding vintage digital texture.

Classic real spring reverb with onboard EQ. Two spring tanks for pseudo-stereo output. The sound is thick, splashy, and characterful—perfect for dub, guitar, and adding vintage texture. Simple controls: mix, tone, decay. Responds dynamically to input level.

Rare 1980s gated spring reverb unit. The gate creates that distinctive 80s drum sound—tight, punchy reverb tails that cut off abruptly. Real springs for organic texture. The gate can be triggered externally for creative effects. Sought after for drum processing.

Boutique spring reverb with multiple spring tanks for complex reverb textures. Lo-fi character with splashy, metallic tones. The imperfections are the point—adds life and movement to sounds. Great for dub, experimental, and adding organic ambience.

Real tape-based echo unit with multiple playback heads. The tape adds saturation, wow/flutter, and organic degradation to the delay repeats. Speed control affects delay time and pitch. High feedback creates runaway oscillation. Requires tape maintenance. Nothing sounds quite like real tape.

Classic 1990s Focusrite dynamics processor with compressor, gate, and unique bass expander. The Green range VCA design provides musical compression with character. Dual-mono operation. The bass expander adds weight to kicks and bass. Colored, punchy sound that adds life to sources.

Analog resonator/formant filter based on the Korg PS-3100 resonator section. Creates vowel-like formant sounds and animated spectral shifts. Three resonant filter bands with LFO and envelope modulation. Stereo output for spatial effects. Great for adding organic, vocal-like character to synths and drums.

Eurorack USB audio interface module. 2-in/2-out at 48kHz for recording modular to DAW or using DAW audio in the rack. Simple but effective bridge between modular and computer. Input/output level switching for different signal types. USB powered.

Clone of the Mutable Instruments Blades dual multimode filter. Two independent 2-pole filters with 1V/oct tracking that can be used for synthesis. Serial and parallel routing options. Drive and resonance per filter. Excellent for stereo processing and dual filtering.

Clone of the System 100M 173 module. Four independent gate processors with manual and CV control. Also includes passive multiples for signal distribution. Useful for clock division, signal routing, and voltage distribution in a modular system.

Clone of the Mutable Instruments Ripples filter. Liquid 4-pole lowpass with separate LP, BP, and HP outputs. Built-in VCA on the LP output makes it a complete voice. V/oct tracking for filter as oscillator. Musical resonance that doesn't thin the bass.

Nonlinearcircuits 4-band resonator/filter with CV control over each band. Creates formant-like resonances and spectral coloring. The bands interact in chaotic ways at high resonance. DIY-friendly design with character—not pristine but very musical.

Nonlinearcircuits 8-stage phaser with CV control. Based on classic phaser designs but with added chaos and feedback options. Multiple outputs at different stages for complex phasing textures. Excellent for string machine processing and adding movement to pads. DIY design.

Tabletop/desktop effects unit with digital delay, frequency shifter, looper, sample rate reducer, and real spring reverb. 4 independent FX sections that can be chained. CV inputs for modular integration. Mini mixer with 4 inputs. Great central hub for processing multiple sources.

Clean, transparent Class-A preamps from Audient's console lineage. Wide and clear sound with good detail—better for mixing than pure listening. 126dB dynamic range with 32-bit converters. MKII adds 9dB better THD+N, dual headphone output, and audio loop-back. Highly regarded for price-to-performance.

Guitar-focused desktop interface with Two Notes amp simulation. Single Audient Class-A preamp with impedance selection. Built-in amp modeling and cabinet simulation. USB audio interface for direct recording. Compact desktop form with headphone amp. Good for guitarists who want quality direct recording.

Hybrid analog mixer with 14-in/12-out USB interface. Ghost mic preamps on 8 channels with 3-band Sapphyre British EQ. Lexicon effects and dbx limiters on ch 1-2. USB recording is pre-fader only. Drivers have issues—some prefer Tascam Model 12. Good analog tone for the price but discontinued.

Compact 10-track mixer/recorder with 32-bit float recording to SD card. 12-in/4-out USB audio interface. Battery or USB powered. 3-band EQ per channel, onboard effects. MIDI I/O and 4 sample pads. Great for portable recording and synth jams.

8-channel ADAT expander with Midas-designed preamps. Budget-friendly way to add 8 mic inputs via ADAT. 60dB gain range. Cirrus Logic converters at 24-bit/48kHz max (no 88.2/96kHz). Good enough for most applications. BNC word clock for sync.

Older 8-channel ADAT expander, predecessor to ADA8200. Basic preamps, 24-bit/48kHz. Still functional but superseded by the ADA8200 with better Midas preamps.

16x16 FireWire interface with 8 Onyx preamps. 'Super Channels' 1-2 have Hi-Z, inserts, and 80Hz HPF. 8x8 ADAT expansion. Cirrus Logic converters with JetPLL jitter elimination. 114dB dynamic range. Can work as standalone 8-ch preamp rack. FireWire limits modern compatibility.

48-point balanced TRS patchbay in 1U rack format. Configurable normalling per point (full normal, half normal, or thru). Front and rear TRS jacks. Essential for routing flexibility in a hardware studio. Two units provide 96 patch points.

Compact nearfield reference monitors from Neumann. Mathematically modeled waveguide for precise imaging. DSP-controlled with room correction via MA 1 calibration software. Neutral, detailed sound that reveals mix issues. The industry standard for small studio monitoring.

Compact 10" subwoofer designed for KH series integration. DSP-controlled with flexible bass management. Integrates with MA 1 calibration for full system optimization. Tight, accurate low end extension without boominess. Small footprint for under-desk placement.

3-way nearfield monitor with coaxial midrange/tweeter design. Point-source imaging from the coincident driver arrangement. Boundary EQ adjustment for placement flexibility. Great value for accurate monitoring—often compared favorably to monitors costing much more.

Ultra-low latency Bluetooth MIDI adapter (3-6ms measured). Plugs into 5-pin DIN MIDI, powered from MIDI Out (no battery). Bluetooth 4/5 compatible, 20m range. Supports MIDI 2.0, clock, SysEx, and MPE. Smart auto-pairing between WIDI devices. Wireless firmware updates.

6-way MIDI thru box with Bluetooth. Distributes MIDI from one input to six outputs with optional Bluetooth wireless connectivity. No power adapter needed—USB powered.

USB MIDI host interface that allows MIDI controllers to connect without a computer. Can power and communicate with class-compliant USB MIDI devices.

Classic 2-in/4-out USB MIDI interface from Emagic (pre-Apple acquisition). 32 channels in, 64 channels out. USB powered. Memory for 32 routing patches. Still functional with modern systems via community drivers.

Reproduction of the cult classic EDP Wasp with its distinctive digital oscillators and unique analog filter. The filter uses CMOS inverters as op-amps creating that famous gritty, grungy character. Multimode VCF (LP/HP/BP/Notch). Desktop or Eurorack format (70HP). Poly chain up to 16 voices.

British 6-voice analog rack synth using the same CEM3396 chips as the Oberheim Matrix-6/1000. 12 DCOs (2 per voice) with PWM and sync. 24dB ladder filter with self-oscillation. Multitimbral operation. 320 ROM presets plus 96 user patches. Underrated analog poly with genuine Matrix character.